Gravity Grotesk is a neutral sans for my web. A lower x-height and tighter spacing give it a grotesk voice. Flat ledges where curves meet stems and angled terminals give it a character of its own. Gravity Serif shares its x-height, cap height, and line height, so the two mix on one line.

How to use AI without losing your soul is the wrong question only if you've already handed your thinking over. We haven't. After two decades of building identities from first principles, we treat AI the same way we treat every other tool that arrived promising to replace us — useful precisely where it stops pretending to think, and dangerous the moment we let it. How to use AI without losing your soul starts with knowing what your soul actually contributes.

Freelance designer struggles don't announce themselves. One month you're euphoric about escaping the agency; six months later you're chasing an invoice at midnight and questioning every career decision you've ever made. We've seen this arc enough times — from our studio in Ljubljana, across two decades of watching good designers disappear into bad freelance situations — to say something honest about it.

You could see it from a mile away. The same thing is happening now. We are growing up developing an even sharper instinct for what feels generated, repeated, predictable, and empty.

Brand self-perception distorts before the brief even lands on our desk. We've watched it happen across 81 logo projects — a company convinced their identity reads confident, while their audience registers something closer to anxious. The mirror test isn't vanity; it's the first honest step in any serious brand identity work.

Respect as currency is not a metaphor we use lightly — it is the actual unit of exchange in every client relationship we have built since 2004. We have watched projects collapse not over budget or concept, but over the slow withdrawal of basic professional respect. When respect as currency depreciates, no invoice or award recovers the loss.

Corporate enthusiasm, by some unspoken rule, is supposed to stay hidden — filed away behind neutral tones and careful hedging. We've never understood that. Twenty years of design work, 80+ awards, and 128 projects later, we're still the studio that treats genuine excitement as a feature, not a liability. The corporate enthusiasm unspoken rule isn't just a cultural quirk — it's a design problem, and we treat it as one.

Two Red Dots. Two completely different projects. One thing in common — the fingerprints of people who refused to settle. What does an award actually prove?