Radio prvi
Radio prvi design je naloga, ki ne dopušča kompromisov. Nacionalni radio nosi pričakovanja poslušalcev, politični pritisk in tehnične omejitve — vse hkrati. Ko smo se lotili tega projekta, smo vedeli, da mora vsak vizualni element opravičiti svoje mesto v sistemu, ki mora delovati enako dobro na zaslonu kot v zraku.
Gost nedeljskega Nočnega obiska bo Gregor Žakelj, eden najbolj uspešnih in največkrat, tudi mednarodno nagrajenih oblikovalcev v Sloveniji.

Pred kratkim je za oblikovanje stekleničke za bučno olje družinskega podjetja Kocbek, prejel eno najbolj prestižnih in uglednih oblikovalskih nagrad na svetu – Red dot. Njegova dela in uspehi so poželi veliko pohval v tujini, izbran je bil med 10 najperspektivnejših kreativcev v Evropi s strani ADC*E Barcelona in prejel je več kot 80 slovenskih in mednarodnih nagrad. Med njimi ADC*E, European Design Award, Golden Drum, Sof, Brumen, Volvo Design Award, Regpak, German Design Award,etc.). Svoje znanje predaja na številnih konferencah doma in v tujini, kjer zagovarja svojo misel, da je dobro oblikovanje za dobre naročnike. V leta 2004 ustanovljenem lastnem oblikovalskem studiu VBG (Visual Brain Gravity) delajo vse od grafičnega oblikovanja in oglaševanja do strategij in spletnih nastopov. Pred mikrofon ga je povabila voditeljica Liana Buršič.
Kaj naredi Radio prvi design funkcionalen in ne le estetski
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The Worst Kind of Project
Unrealized design projects are, without question, the worst thing that happens to a studio. Not the difficult client. Not the impossible brief. The work you believed in completely — refined, presented, defended — that simply never saw the light. We've built 81 logos and collected over 80 awards, and still, it's the unrealized design projects that occupy the most space in the room.
How to Rebrand Without Losing Your Audience
Rebranding without losing your audience is less about design decisions and more about sequencing them. Every rebrand we've led starts with the same question: what does your audience actually recognise you by — and is that the thing you're planning to change? Getting that wrong is how you rebrand without losing your audience on paper, but quietly lose them anyway.
What is a good design
Good design principles are easier to list than to apply — and most lists get it wrong. We've spent twenty years testing what actually holds under pressure: across 81 logos, 128 projects, and judging rooms where good design either survives scrutiny or quietly doesn't. What makes design work isn't a checklist. It's a set of decisions that age well, communicate without effort, and resist the urge to explain themselves.
Branding Agency vs Logo Designer: Understanding the Difference
Branding agency vs logo designer — the confusion is real, and it costs clients money. Most briefs we receive conflate the two, assuming a mark is a brand. It isn't. A branding agency vs logo designer comparison isn't about prestige; it's about scope, process, and what problem you're actually trying to solve.
I take it personally
Personal investment in branding is not a policy we adopted — it's the only way we know how to work. Every project that has left this studio since 2004 carries some part of us in it, for better or worse. That personal investment in branding is what separates a mark that lasts from one that simply gets approved.
Process
Design process methodology, as we practice it, is not a straight line from brief to delivery. It loops — deliberately, productively, sometimes uncomfortably. That looping is where the real work happens, and understanding our design process methodology is the clearest way to know whether we're the right studio for what you're building.
The Currency of Respect
Respect as currency is not a metaphor we use lightly — it is the actual unit of exchange in every client relationship we have built since 2004. We have watched projects collapse not over budget or concept, but over the slow withdrawal of basic professional respect. When respect as currency depreciates, no invoice or award recovers the loss.
Why Are We Searching for Clarity?
Clarity in design is what every brief promises and almost nothing delivers. We've been watching this gap widen for two decades — between what communication claims to say and what it actually lands. Searching for clarity isn't a trend. It's a signal that something structural has gone wrong.