Is it sexy?
Is it sexy design? That’s the question we ask before anything else leaves the studio. Not as provocation — as a filter. We’ve built 80+ awarded projects around this single, uncomfortable standard: if you can’t feel it, it isn’t finished.
The design is more than beauty; this is what I use when I describe good branding that is easier to understand and has everything I want to say in it.
This is the phrase I use, linked to the branding or the design I am doing. This is meant to be a bit provocative and harmless; the truth is in the meaning of the word when not linked to the obvious. Let me explain what I mean in this manner:
– something I really like,
– something I would love to have,
– something I would love to come back to,
– something that is everlasting,
– something that is impressive.
“Is it sexy?” is a feeling after you have done something great, and this is what good design feels like.
Is It Sexy? The Design Standard That Replaces a Hundred Briefs
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Process
Design process methodology, as we practice it, is not a straight line from brief to delivery. It loops — deliberately, productively, sometimes uncomfortably. That looping is where the real work happens, and understanding our design process methodology is the clearest way to know whether we're the right studio for what you're building.
How to Be a Real Designer
How to be a real designer isn't about software or style — it's about who holds the argument when the client wants something easier. We've been in that room for twenty years. Being a real designer means resisting the comfortable solution, even when no one asks you to.
A healthy brand
Healthy brand design starts with honesty — not aspiration dressed up as values. We've watched too many briefs arrive wrapped in sustainability language that dissolves the moment you press on the strategy underneath it. A healthy brand isn't greener or louder; it's structurally coherent, and that coherence is what we've been designing for since 2004.
Are we artists or designers?
Artists vs designers — it's a question we've been asked at every client meeting, award jury, and late-night studio argument since 2004. The honest answer is neither, or both, depending on what the brief demands. What we've learned after 81 logos and 80+ awarded projects is that the real distinction isn't about medium or ego — it's about intent and accountability.
Discipline vs. Talent in Design
Discipline vs talent in design is a question we stopped debating around our tenth year of practice. Not because talent is irrelevant — it isn't — but because discipline is the only thing that shows up on deadline, survives a difficult client, and compounds across twenty years of work. We've built 81 logos and earned over 80 awards on that premise, and the evidence keeps arriving.
12 Proverbs
Design wisdom proverbs don't come from books. They come from the gap between what a client asked for and what they actually needed — a gap we've been navigating since 2004. These twelve distillations aren't motivational. They're diagnostic, drawn from real projects where design wisdom proverbs were the only honest way to say what went wrong, or right.
In the corporate world, there’s this unspoken rule that enthusiasm should be hidden
Corporate enthusiasm, by some unspoken rule, is supposed to stay hidden — filed away behind neutral tones and careful hedging. We've never understood that. Twenty years of design work, 80+ awards, and 128 projects later, we're still the studio that treats genuine excitement as a feature, not a liability. The corporate enthusiasm unspoken rule isn't just a cultural quirk — it's a design problem, and we treat it as one.
Branding Agency vs Logo Designer: Understanding the Difference
Branding agency vs logo designer — the confusion is real, and it costs clients money. Most briefs we receive conflate the two, assuming a mark is a brand. It isn't. A branding agency vs logo designer comparison isn't about prestige; it's about scope, process, and what problem you're actually trying to solve.