Things I am still learning are simple reflections of the realities of my work: craft over trends, judgment over imitation, substance over appearance, and good work over easy wins.

Do what you don't know — this is the only instruction we've ever given ourselves that consistently produced something worth keeping. Doing what you know is maintenance; it sharpens the tool but never changes the hand that holds it. We've built 25 years of work, 128 projects, and every award worth mentioning by leaning into the thing we hadn't yet figured out how to do.

Two Red Dots. Two completely different projects. One thing in common — the fingerprints of people who refused to settle. What does an award actually prove?

Designer side projects are not a break from real work — they are the reason the real work stays sharp. We have run a design studio in Ljubljana since 2004, and the projects that never had a client are often the ones that taught us the most. Side projects are where instinct gets to move faster than process.

Ljubljana to-do lists are usually the same – the castle, the market, Plečnik. We have been designing in this city since 2004 and we see it differently: through the facades, the typography on the windows, the details that the tourist guide doesn't mention. This guide is Ljubljana to-do for those who observe.

Rebranding without losing your audience is less about design decisions and more about sequencing them. Every rebrand we've led starts with the same question: what does your audience actually recognise you by — and is that the thing you're planning to change? Getting that wrong is how you rebrand without losing your audience on paper, but quietly lose them anyway.

Should designers code? We've been asking ourselves that question since 2004 — across identities, interfaces, and campaigns where design met production head-on. The answer depends entirely on what kind of designer you want to be, and what kind of work you want to make. Should designers code is the wrong binary; the real question is how much of the medium should you understand before you hand it off.

Dear client design isn't a letter we wrote lightly. We've been doing this since 2004 — 128 projects, 80+ awards, and more than a few relationships that taught us exactly where the work breaks down. Dear client design starts with a conversation most studios avoid having out loud.