Everything beautiful is analog
Everything beautiful is analog — that’s not nostalgia, it’s a working method. We’ve spent two decades in Ljubljana making things by hand first, screen second, and the difference shows up in the work. Analog design philosophy isn’t a romantic detour; it’s where the real decisions get made.
We can’t avoid digital; it is everywhere, and not all is bad, of course, but we are focused on it way too much, staring at our phones, for instance. Just think that everything beautiful that has ever happened to you was analog.
If we ignore the romantic aspect of that claim for a second (it is a beauty, isn’t it), trust me, holding a product is way better than holding a phone. The whole process of creating a real product involves working with your hands and meeting different craftsmen (those awesome people), learning and understanding their craft, understanding limits, adapting, changing, and finally holding it in your hands, remembering how impossible it felt when you started to create one.
Even now, we are trying to get over the phone addiction and shift back to the reality we ran away from on the phone. Realizing that this claim holds more truth than I thought.
Why analog design philosophy still shapes every project we start
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Vibe coding
Vibe coding design is not a shortcut — it's a discipline we've been practising long before anyone named it. We let visual instinct drive technical decisions, the same way we've approached every identity and interface since 2004. When feel and function collapse into a single gesture, that's vibe coding design working as it should.
Things You Learn Along the Way
Things I am still learning are simple reflections of the realities of my work: craft over trends, judgment over imitation, substance over appearance, and good work over easy wins.
Why Making by Hand Still Matters in the Age of AI
Making by hand isn't a romantic habit we've held onto — it's the part of our process where the actual decisions happen. Before any screen gets involved, we draw, we cut, we test with our fingers. That physical resistance is where making by hand produces something AI can't replicate: a choice made under uncertainty, not optimised from existing data.
A healthy brand
Healthy brand design starts with honesty — not aspiration dressed up as values. We've watched too many briefs arrive wrapped in sustainability language that dissolves the moment you press on the strategy underneath it. A healthy brand isn't greener or louder; it's structurally coherent, and that coherence is what we've been designing for since 2004.
Remember when you learned to spot a stock photo?
You could see it from a mile away. The same thing is happening now. We are growing up developing an even sharper instinct for what feels generated, repeated, predictable, and empty.
How Much Does Branding Cost?
Branding cost is the question every client asks first, and it's almost always the wrong place to start. We've worked through 128 projects since 2004, and the budget conversation only makes sense after we understand what the brand actually needs to do. Branding cost without that context is just a number with nothing holding it up.
Pitch
Design pitch process is where most projects are quietly won or lost — long before any visual work begins. We've spent twenty years watching good briefs collapse under vague expectations, misaligned goals, and the false assumption that both sides are speaking the same language. Getting the design pitch process right isn't a formality; it's the actual work.
I take it personally
Personal investment in branding is not a policy we adopted — it's the only way we know how to work. Every project that has left this studio since 2004 carries some part of us in it, for better or worse. That personal investment in branding is what separates a mark that lasts from one that simply gets approved.